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<channel>
	<title>OLGA KOUMOUNDOUROS</title>
	<link>https://olgakoumoundouros.art</link>
	<description>OLGA KOUMOUNDOUROS</description>
	<pubDate>Sun, 04 Oct 2020 01:59:49 +0000</pubDate>
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	<item>
		<title>Olga Koumoundouros</title>
				
		<link>https://olgakoumoundouros.art/Olga-Koumoundouros</link>

		<pubDate>Sat, 13 Oct 2018 07:45:39 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

		<guid isPermaLink="true">https://olgakoumoundouros.art/Olga-Koumoundouros</guid>

		<description>I produce artworks that are an aggregate of the personal narratives of my life, those around me 
co-mingled with my understanding of American power dynamics and their impacts. These forms exist as stories as well as material objects joining the earthbound with the synthetic and ready-mades tracking their own energetic and capital driven supply chains. How do systemic structures buoy and harm the commons while forming a backdrop for the American Dream? These structures and systems do this in ways that embeds itself in people’s lives, mind, and body as it vibrates in the metaphysical space surrounding us all. My art expands on this understanding of power and their entangled relationships by considering&#38;nbsp; how violence and its ripple effects travel across time and geographies in the stories of my own family. Having been raised by immigrants, I have visceral memories driven by myths of meritocracy in an adaptive, ever-striving environment constructed from the brutality of the exalted and the disposable occupying the same space. Accessing critical analyses and fantasy via my own emotional and socio-political understanding of gender, sexuality, Greek-American identity, folk mysticism and trauma, I synthesize ancient and contemporary mythologies into a tactile present. 
In 2019 I became the Artist in Residence at Los Angeles County’s Office of Violence Prevention housed within the Department of Public Health. There I guide&#38;nbsp; the Violence, Hope and Healing Storytelling Project which records stories of people who have navigated and survived violence spanning the diverse cultures and geographies of Los Angeles County.


&#60;img width="4520" height="6374" width_o="4520" height_o="6374" data-src="https://freight.cargo.site/t/original/i/ad20b32f1367c3534678a3b55d97f8691d24360d364946ea3d02c769f7e082ba/medusa-two.jpg" data-mid="84475907" border="0"  src="https://freight.cargo.site/w/1000/i/ad20b32f1367c3534678a3b55d97f8691d24360d364946ea3d02c769f7e082ba/medusa-two.jpg" /&#62;
Medusa Chthonic Chimes, 2019

 Pink Himalayan salt crystals, black bituminous coal, rose quartz, Tiger’s Eye, acrylic paint, enamel paint, epoxy clay, nickel plated cast brass chandelier chain, nickel plated chandelier canopy, silver chain, porcelain and brown stoneware clays77 x 18 x 18 inches &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Los Angeles Museum of Art &#124; Commonwealth and Council</description>
		
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		<title>Statement</title>
				
		<link>https://olgakoumoundouros.art/Statement</link>

		<pubDate>Sat, 13 Oct 2018 07:10:59 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

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		<description> </description>
		
	</item>
		
		
	<item>
		<title>By List</title>
				
		<link>https://olgakoumoundouros.art/By-List</link>

		<pubDate>Mon, 15 Oct 2018 06:01:26 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

		<guid isPermaLink="true">https://olgakoumoundouros.art/By-List</guid>

		<description>
2019
&#38;nbsp; &#38;nbsp; Medusa Chthonic Chimes&#38;nbsp; &#38;nbsp; Sextant for some peoples neighborhood convening
&#38;nbsp; &#38;nbsp; Silvias Find a New Moon

2018&#38;nbsp; &#38;nbsp; Medusa Chimes
&#38;nbsp; &#38;nbsp; Cartwheel

&#38;nbsp; &#38;nbsp; We (tbd)

&#38;nbsp; &#38;nbsp; Still Life with Tickler
2017
&#38;nbsp; &#38;nbsp; Neither Liquid Nor Solid But Amorphous; differently ordered bodies flow under large stresses, creep or remain stationary under smaller stresses, and have complex, history-dependent behavior

2016
&#38;nbsp; &#38;nbsp; The Soul At Work: Phoning it In
&#38;nbsp; &#38;nbsp; The Soul At Work: Double Down
2015
&#38;nbsp; &#38;nbsp; The Soul At Work: Chamber of Commerce&#38;nbsp; &#38;nbsp; Always Moving Towards Separation Together

2014
&#38;nbsp; &#38;nbsp; Denial and the Longing for the Big Nap
&#38;nbsp; &#38;nbsp; Roundhouse Shines
2013
&#38;nbsp; &#38;nbsp; Sunday Collapse
&#38;nbsp; &#38;nbsp; We Made Life Here For A Little While &#38;nbsp; &#38;nbsp; 
TRANSFORMer: Platform for Community Education, Activism and Fundraising at TANG
&#38;nbsp; &#38;nbsp; Dream Home Resource Center
&#38;nbsp; &#38;nbsp; Possession; version 3&#38;nbsp;
&#38;nbsp; &#38;nbsp; A Place That Treats Me Kindly
&#38;nbsp; &#38;nbsp; Possessed by Glint and Dreams

2012
&#38;nbsp; &#38;nbsp; Aurora Annulus and Butt Bag
&#38;nbsp; &#38;nbsp; A Notorious Possession
2011
&#38;nbsp; &#38;nbsp; Poor Pension Math&#38;nbsp; &#38;nbsp; &#38;nbsp; 
TRANSFORMer: Platform for Community Education, Activism and Fundraising at BASS
2010
&#38;nbsp; &#38;nbsp; Accumulation of Mondays
&#38;nbsp; &#38;nbsp; Triumph Over Survival2009
&#38;nbsp; &#38;nbsp; Demand Management

2008
&#38;nbsp; &#38;nbsp; Great Expectations and The Wreck of the Hope&#38;nbsp; &#38;nbsp; The Unreposed
&#38;nbsp; &#38;nbsp; News from a Mime’s Thud
2007
&#38;nbsp; &#38;nbsp; A Roof Upended
&#38;nbsp; &#38;nbsp; On a Porch
2006
&#38;nbsp; &#38;nbsp; Thieves Vinegar

2005
&#38;nbsp; &#38;nbsp; A Philosophy of Time Travel
2004
&#38;nbsp; &#38;nbsp; Designated Hitters at the Spider Hole
2003
&#38;nbsp; &#38;nbsp; Monument to a town meeting: after Acconci
</description>
		
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		<title>By Image</title>
				
		<link>https://olgakoumoundouros.art/By-Image</link>

		<pubDate>Mon, 29 Oct 2018 02:39:43 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

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		<description></description>
		
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	<item>
		<title>Performance / Video</title>
				
		<link>https://olgakoumoundouros.art/Performance-Video</link>

		<pubDate>Mon, 07 Jan 2019 06:29:45 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

		<guid isPermaLink="true">https://olgakoumoundouros.art/Performance-Video</guid>

		<description></description>
		
	</item>
		
		
	<item>
		<title>Site Informed</title>
				
		<link>https://olgakoumoundouros.art/Site-Informed</link>

		<pubDate>Mon, 07 Jan 2019 06:30:28 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

		<guid isPermaLink="true">https://olgakoumoundouros.art/Site-Informed</guid>

		<description></description>
		
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	<item>
		<title>Collaboration</title>
				
		<link>https://olgakoumoundouros.art/Collaboration</link>

		<pubDate>Fri, 16 Nov 2018 05:10:14 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

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		<description>
2020
&#38;nbsp; &#38;nbsp; What Do We Do Now? &#124; Collaboration with Drew Pisarra
2018
&#38;nbsp; &#38;nbsp; We (tbd) &#124; Collaboration with John Booortle, von curtis, Alexander Kroll, Francesca Lalanne, Kristy Lovich, Ofelia Marquez, and Jennifer Moon2017
&#38;nbsp; &#38;nbsp; No hitting or grabbing &#124; Collaboration with Rakish Light and X-TRA

2013&#38;nbsp; &#38;nbsp; TRANSFORMer: Platform for Community Education, Activism and Fundraising at TANG&#38;nbsp;&#124; Collaboration with Andrea Bowers
2011
&#38;nbsp; &#38;nbsp; TRANSFORMer: Platform for Community Education, Activism and Fundraising at BASS &#124; Collaboration with Andrea Bowers
2008
&#38;nbsp; &#38;nbsp; News from a Mime’s Thud &#124; Collaboration with Rodney McMillian
2007
&#38;nbsp; &#38;nbsp; On a Porch &#124; Collaboration with Rodney McMillian
2005
&#38;nbsp; &#38;nbsp; Philosophy of Time Travel &#124; Collaboration with Edgar Arceneaux, Vincent Johnson, Matthew Sloly, and Rodney McMillian</description>
		
	</item>
		
		
	<item>
		<title>What Do We Do Now? </title>
				
		<link>https://olgakoumoundouros.art/What-Do-We-Do-Now</link>

		<pubDate>Sat, 03 Oct 2020 07:38:15 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

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		<description>
What Do We Do Now? &#124; Collaboration with Drew Pisarra
2020
Hosted by Global Poemic - Participation in online poetry project, click&#38;nbsp;HERE to view
Los Angeles, California&#38;nbsp;


It Beckons With Feet &#124; Drawing&#38;nbsp;by Olga Koumoundouros 



&#60;img width="2048" height="1622" width_o="2048" height_o="1622" data-src="https://freight.cargo.site/t/original/i/bb4a534598eebc6dc045cd30dfb8d1a9ad9dd50acbb2c93ed2cb2d8e5b3d23d2/it-beckons-with-feet-crop-and-color.jpg" data-mid="84624709" border="0"  src="https://freight.cargo.site/w/1000/i/bb4a534598eebc6dc045cd30dfb8d1a9ad9dd50acbb2c93ed2cb2d8e5b3d23d2/it-beckons-with-feet-crop-and-color.jpg" /&#62;

It Beckons With Feet, 2020
Acrylic mixed media on paper
9 x 12 inches


What Do We Do Now? &#124; Poem by Drew Pisarra



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	<item>
		<title>Medusa Chthonic Chimes</title>
				
		<link>https://olgakoumoundouros.art/Medusa-Chthonic-Chimes-1</link>

		<pubDate>Sun, 04 Oct 2020 01:59:49 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

		<guid isPermaLink="true">https://olgakoumoundouros.art/Medusa-Chthonic-Chimes-1</guid>

		<description>
&#60;img width="4520" height="6374" width_o="4520" height_o="6374" data-src="https://freight.cargo.site/t/original/i/fdd30c605c35470728634c81be39903159cccc8442af9b8d371cf61d612c09b0/medusa-two.jpg" data-mid="84523773" border="0"  src="https://freight.cargo.site/w/1000/i/fdd30c605c35470728634c81be39903159cccc8442af9b8d371cf61d612c09b0/medusa-two.jpg" /&#62;


&#60;img width="2500" height="2653" width_o="2500" height_o="2653" data-src="https://freight.cargo.site/t/original/i/41343eca35af58eb69fad419449e47b8477d99b68808474abdfa929cfcc441f0/Medusa-Chimes-2-head.jpg" data-mid="89843713" border="0"  src="https://freight.cargo.site/w/1000/i/41343eca35af58eb69fad419449e47b8477d99b68808474abdfa929cfcc441f0/Medusa-Chimes-2-head.jpg" /&#62;


&#60;img width="2500" height="2286" width_o="2500" height_o="2286" data-src="https://freight.cargo.site/t/original/i/b3fced3c9140e7818c02b324d305c7f230fe4d654ab8db7cf397c7dc2f384513/Medusa-Chimes-2-eyes.jpg" data-mid="89843740" border="0"  src="https://freight.cargo.site/w/1000/i/b3fced3c9140e7818c02b324d305c7f230fe4d654ab8db7cf397c7dc2f384513/Medusa-Chimes-2-eyes.jpg" /&#62;

Medusa Chthonic Chimes, 2019 Pink Himalayan salt crystals, black bituminous coal, rose quartz, Tiger’s Eye, acrylic paint, enamel paint, epoxy clay, nickel plated cast brass chandelier chain, nickel plated chandelier canopy, silver chain, porcelain and brown stoneware clays77 x 18 x 18 inches &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Los Angeles Museum of Art &#124; Commonwealth and Council</description>
		
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	<item>
		<title>Sextant for some peoples neighborhood convening</title>
				
		<link>https://olgakoumoundouros.art/Sextant-for-some-peoples-neighborhood-convening-1</link>

		<pubDate>Wed, 04 Sep 2019 15:20:21 +0000</pubDate>

		<dc:creator>OLGA KOUMOUNDOUROS</dc:creator>

		<guid isPermaLink="true">https://olgakoumoundouros.art/Sextant-for-some-peoples-neighborhood-convening-1</guid>

		<description>
&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/8286178146e8ae1e515dcf8142cf5c749571af950b658547cf2197c305d07f9a/_RVD1723_WEB.jpg" data-mid="49887289" border="0"  src="https://freight.cargo.site/w/1000/i/8286178146e8ae1e515dcf8142cf5c749571af950b658547cf2197c305d07f9a/_RVD1723_WEB.jpg" /&#62;

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Sextant for some peoples neighborhood convening, 2019
Hand carved birch plywood, powder coated steel tubing, spray paint, oil printers ink, Tiger’s Eye, rose quartz crystal, Himalayan salt crystal, copper bolts, indigo dyed silk
168 x 168 x 96 inches

Photographer: Ruben Diaz
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